Ultraviolet Hours
A launch for noise-cancelling headphones shot entirely between 2 and 5 a.m. across four cities — the hours when a city finally goes quiet.
- +212% pre-orders vs. forecast
- 48M film views in 30 days
Parallax is a 38-person production house and creative agency. We take one idea and split it into every format your audience lives in — without losing the light.
Showreel · 2:14
Services
Every brief enters as a single idea. Our studio refracts it into the formats, lengths and channels it needs — shot once, crafted many ways, consistent to the last frame.
Hero spots, cinema cuts and director-led brand films. In-house crews on ARRI Alexa 35 with full post under one roof.
Integrated platforms from big idea to OOH, print and launch film — built to run for years, not weeks.
Always-on systems for TikTok, Reels and Shorts. A 14-person social desk shipping 300+ native assets a month.
Identities that move, product renders that sell, title sequences that people actually sit through.
Two Baselight grading suites, a Dolby Atmos mix stage and an edit floor open to every client, every day.
Culture research, positioning and the creative leadership that keeps a hundred deliverables saying one thing.
Production
Two weeks inside your audience: social listening, culture mapping and a one-page brief everyone signs.
Three routes, animatics for the strongest, and a script locked with your legal team before a single day rate is booked.
Casting, locations, shot lists and a deliverables matrix that plans every cut-down before we roll.
Own kit, own crews: two Alexa 35 bodies, Cooke S7/i primes and a social unit capturing vertical in parallel.
Edit, Baselight grade, Atmos mix and 40+ platform versions delivered with a live performance dashboard.
Selected work · 2023–2026
Six campaigns from the last three years. Every one started as a single sentence on a whiteboard.
A launch for noise-cancelling headphones shot entirely between 2 and 5 a.m. across four cities — the hours when a city finally goes quiet.
We put a cello quartet in a zero-g flight and filmed the first live performance at 34,000 feet. The airline's new platform wrote itself.
Forty ASMR micro-films recorded with hydrophones on the Atlantic coast. Algorithm-native, sound-on, impossible to scroll past.
A 52-shade range relaunched with 52 musicians, each scoring the colour they wore. One film, 52 cut-downs, one very full TikTok sound library.
An e-scooter film lit only by the scooter itself. A single 9-minute take through Lisbon's Alfama, cut into a 30" spot and a 6-part series.
A motion identity built from real film grain: every logo animation is printed, scanned and composited frame by frame, 1,440 frames in all.
Trusted by people who hate beige
Recognition
Juries notice the craft. Clients notice the numbers. We built the studio to be good at both.
Studio & culture
Directors, editors, colourists, writers, strategists and one very patient head of production — split between a converted tram depot in Lisbon and a sound stage in Los Angeles.
Founder · Executive Creative Director
Director · Film & Commercials
Head of Motion & 3D
Senior Colourist · Baselight
Head of Social & Creators
Executive Producer · LA
Every Friday afternoon belongs to self-initiated projects. Three of our biggest clients came from them.
Clients, interns and accountants all get a seat in the edit suite. Good ideas don't check job titles.
Crunch is a planning failure. We plan, so people come back sharper.
“Parallax shot our launch film, 140 social assets and a cinema cut in one nine-day block. Nothing felt like a compromise — it all felt like the hero.”
New business · Booking Q1–Q2 2027
Tell us the sentence you'd want people to repeat. We reply within one working day with a producer, a director and an honest budget range.
Parallax — Reel 2026 ● Playing